“The cast was terrific, the writing was great. “It was a good series,” recounts Helgenberger. But Helgenberger quickly recouped her losses, less than one year later, with a role as Karen Charlene Koloski – abbreviated to K.C. She co-starred with Margot Kidder in Shell Game, an ’87 series that tanked after one season.
It also helped me to get comfortable with the camera.”įter three years on the tearjerker, Helgenberger graduated to prime time, appearing in the likes of Matlock and Spenser: For Hire. You get the opportunity to work out your emotional muscles. There’s also a lot of melodrama on the soap operas, so you’re usually involved with a lot of emotion and crying and that sort of stuff.
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It’s a good training field – in a certain way, I guess-because you get to learn how to work really fast. You’ll have a week or so off every once in a while, while they focus on other characters. But you have to make it work, and people do. You have very little rehearsal and the material isn’t terribly inspired.
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Her first professional gig was Ryan’s Hope: cast as Siobhan Ryan, she gauges the grind of a soap opera as “not a very glorified way to act because it’s tough. I was more committed and I realized that if I could make some headway at Northwestern, maybe I’d go on.” Every summer that was farm activity to raise spending money.”īut by the time Helgenberger enrolled at Northwestern University, she “took acting a little more seriously. I don’t know that I’d want to go back to that small town environment, but I loved it at the time. “I come from a small Nebraska town where nobody locks their doors and nobody takes the keys out of their cars,” grins Helgenberger. Sure, she appeared in a couple of high school plays and was active in the band…but buy a ticket to Hollywood? No way. Baker.īorn and raised in a rustic locale, Helgenberger rationalized that acting couldn’t be equated with a viable future. The critics, as usual, were nuts about her though one reviewer grieved Helgenberger was ‘little more than an extra!’ A scribe for Moving Ramblings prophetically rambled, “If this film does well at the box office, chances are we’ll see a sequel.” Produced for a relatively low-budget, Species‘ domestic gross was $60 million. Laura Baker, the actress found herself in a sleeper. Cast in Species (1995) as molecular biologist Dr. storm drains and bag herself her a sexually addictive alien. By the time Marg Helgenberger turned 37, her neighbors adhered to provincial values: marriage, kids, picket fences. The award-winning actress, a veteran of Stephen King and the ‘ Crypt,‘ kicks alien butt in sequel.Īs a youth, she was raised in a mid-American milieu.
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